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  • CAN YOU KEEP A SECRET
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    Crime House - CAN YOU KEEP A SECRET

    Clip Description

    CAN YOU KEEP A SECRET

    CUSTOM

    Cast: Mira Green, Bella Lenina, Alex



    Mira has a secret lover, she found him on a chat site; she has been texting him ever since. He is her first boyfriend; she has decided he will become a lover.

    She has arranged to meet him at her best friend’s apartment, she has the key to look after the place… while her friend is out of town visiting family; its going to be a ‘blast’!

    Mira doesn’t know it yet but, she is in danger; Her father has left town because he owes money to the wrong people… people you don’t mess with. They can’t find her father but, they know where his precious little girl is… and they are going to send him a message. They have assigned a contract to Alex and he has set up his profile to get her interested in meeting. She has taken the bait, now he can enjoy his work.

    Mira arrives at the apartment after college and heads for the guest room she has been using. She plans to change into something she has bought; something more appealing, more mature, more… ‘sexy’. She tries a few things against her in the mirror, she is still wearing her white socks, short pleated skirt and a tight top hanging over her cupped breasts which force her cropped top to hang out leaving a gap between her smooth body and the cotton material; the under frame of her brassier seductively teases under the hanging top and her waistband, designed to press her breasts up. Her cleavage teases out of the top of the limited material. A small pair of white cotton panties are visible every time she swings her petite body or bends to choose a new outfit.

    She is checking herself out in the long mirror deciding on what looks best against her; she slides her skirt up just to show off a little more leg; she loves herself.

    Suddenly, there is a knock at the door, Mira knows its him… he is early; she quickly throws her try on clothes to one side and straightens the bed. She walks nervously to the door and looks through the spy hole. She is excited and decides she will act real sexy, let him see what she has and what she can do for him. She wants him in her bed.

    Alex enters the apartment and offers her the single rose her has brought her. Mira turns excitedly, unsure what to do; she goes off camera to set the rose in a vase.

    Alex looks around while she is gone, removing his coat and quickly drawing the handgun from his pocket to hide it where he can get it fast. He places its suppressor next to it, he will need them later but wants to enjoy the moment, the night is young.

    Mira returns she has a bottle with her and two glasses; she pours the drink and the two begin to get close. They hook arms as they drink the wine and Mira turns away allowing Alex to slip his hands up and down her body as she enjoys his caress.

    They move to the bed, Alex begins to enjoy his evening, his hands are everywhere, sliding her skirt up and raising her top to reveal her underwear. They move to the bed.

    The scene shows Mira’s face in ecstasy as the assassin slowly slides down her body kissing each part of her naked flesh as he grips her legs. Mira is entangled in a sheet as she writhes arches and groans as we see the assassin, his head now between her legs hidden under the sheet. We see her panties sliding down her calf in the assassin’s hand and the scene ends with the assassin pumping himself against her as she moves sexily beneath him.

    Some time goes by and we see Bella Lenina heading up the stairs to the apartment. She searches for her keys, her coat hides her tight lycra pants that cling to every centimetre of her legs ass and groin. She has heeled ankle length boots complimenting the shape of her legs and a light buttoned up blouse tight against her pert breasts. She enters the apartment throwing her keys on the table and drops her coat to the couch as she moves into the living room unaware the apartment is occupied.

    Bella heads to the shower and begins to undress, she sits stretches and slouches for a few seconds, glad to be home. She drags off her boots and stands to slowly and sexily slipping her pants down her legs before unbuttoning her tight top and standing in just her open shirt, brassier and panties to head for the shower. We see her grab a towel and head for the shower. (I am happy with or without a shower scene).

    The next scene opens with the assassin now aware that someone has entered the apartment. He quickly slips his pants and shirt on and checks Mira who is still soundly asleep totally satisfied and exhausted. She is lying across the bed her skirt still wrapped around her waist showing her bare ass, her top is folded above her bare breasts, her brassier discarded on the floor. The assassin slowly opens the door and sees Bella’s clothes lying on the couch. He knows he will have to silence a witness before he kills Mira and slips back into the room to retrieve his weapon silently closing the door behind him, slowly, quietly screwing his suppressor to his weapon. He can hear the shower and prepares patiently for his first victim.

    We see Bella slipping on her nightdress, a plain light coloured thin shoulder strapped, cotton style, short and sexy. She slips on a clean pair of panties and hangs her towel to dry before leaving the bathroom. She is unaware of the intruder now watching her every move. Suddenly she is grabbed by the neck as she is slammed against the wall. The assassin presses his supressed pistol against her chest, pressing her breast upwards up with the muzzle. In shock she raises her hands in surrender whimpering, too afraid to make a sound that may anger the intruder. He releases his grip on her neck a place’s his finger to her lips and she nods her head in agreement. He withdraws his weapon as he slowly steps back placing his finger on his own lips to confirm his demand.

    He beckons her to the table, indicating to her with his weapon that she should sit opposite him at the table; she reluctantly obeys. He lowers his weapon under the table still pointing at her belly. She sits obediently and waits for him to tell her why he is there.

    Bella speaks:

    “I have no money please don’t hurt me”

    The assassin readies his weapon under the table and answers

    “I am so sorry”

    Bella begins her question but is unable to complete it… a single supressed shot finds her belly as she speaks.

    “What do you w…” Bella jolts violently, her words cut off in mid flow; she moans lightly and looks down at the hole in her nightdress. She presses her hand against the crimson patch and looks confused at the blood in her hand. Bella looks up at the assassin who is now getting out of his seat; she sees the weapon and looks down again at her wound realizing what he has done. The assassin points and shoots hitting her just below her breast. Bella grunts her disapproval jolting and kicking in her chair. Her head drops back with an empty dead stare, her mouth wide open; she dies arched over the chair. The assassin moves toward her dead body as she begins to slide from the chair, he catches her and gently lowers her to the floor.

    He admires her body, revealing her breasts then, rolling her over and lifting her nightdress to enjoy the view of her ass and groin as he inspects his work. He checks for a pulse, spreads her legs and fires a couple more bullets into her back, her dead body respond to the impact her ass shaking lightly from the impacts. He leans over dragging he panties enough to reveal her buttocks, playfully squeezing then slapping her ass… It is time to wake Mira.

    The assassin quietly opens the door and places his weapon down to get his boots on. He watches as Mira stirs, he sits on a chair near the door contemplating how he will slowly kill her and video his work for his employers to send to her Fathers email address.

    Mira wakes, a content smile fills her face as she slowly raises and begins to tidy her clothes. She collects her panties from the floor and replaces them and pulls up a sock. She sits on the bed and purposefully acts sexy sliding her legs apart inviting her new lover to contemplate a second round, her breasts ooze from under her top, she slowly wraps them in her grip with her cotton crop top tantalizing the assassin her every move turning him on.

    Alex picks up his weapon and Mira’s face changes in an instant. She straightens up and takes a deep breath in fear; she knows her Father has enemies and she knows she has just fucked one of them…

    “Oh God… NO No n…”

    The assassin fires without hesitation, Mira grunts a final “No” grabbing her belly wound and doubling up. She rolls over the bed onto her stomach and the assassin puts a second bullet in her side as she turns. Mira cries out and slides slowly off the bed tucking her legs into her chest in agony. The assassin switches on his phone camera and cocks his pistol. Mira kicks out and arches away grabbing at the wound as she gasps for breath. Her face is contorted with pain as she rolls onto her back. The assassin continues to film her as her body arches off the floor, her legs bent and open her groin pushed up in the assassins full view before sinking to the floor; she moans slowly. He kicks her legs apart points and fires two deliberate shots just above her stomach, Mira jolts momentarily and drops; her legs kick lightly even as she dies the assassin puts her out of her misery with a single shot in her left breast.

    (Mira has a great death stare, eye half open and mouth open showing teeth)

    He checks her pulse, throws his weapon on the bed and begins to enjoy rolling her body to check the small bullet perforations; plays with her breasts slapping her ass playfully as her begins to strip her body. We see the assassin throw her body on the bed and exit the room to retrieve Bella’s body.

    We see the assassin throw Bella on the bed and begins to strip her. Both girl’s bodies lie arched over the bed with their panties partially down just covering their ‘dignity’; their legs hang off the bed. We see the assassin push both girl’s legs apart and he turns towards camera (Camera looking from other room, through the door) and slowly closes the bedroom door as he turns beginning to unzip his pants.

    Clip Duration:      19 minutes
    Format Size
    mp4987.36 MB

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    Additional Thumbnails

    Crime House - CAN YOU KEEP A SECRET

    Crime House - CAN YOU KEEP A SECRET

    Crime House - CAN YOU KEEP A SECRET

    Crime House - CAN YOU KEEP A SECRET

    Crime House - CAN YOU KEEP A SECRET

    Crime House - CAN YOU KEEP A SECRET
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 7 Slasher Murders: Decapitations, Stabbings, Cutting, Choking, Strangling!

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Feedback from customer

7 contestants are walking the walkway in the Peagent. Wearing bra, panties, pantyhose extra sheer, and high heel pumps. After they finish they go back to the waiting room. They’re talking to each other, the ones standing dip their feet in and out of shoes to relieve their pain. 

One goes first to the bathroom where the Sandman is waiting for her hiding as she goes to the bathroom as she enters the stall the Sandman appears atop the division of the stall and loops a wire noose around her neck. He pulls hard hanging her by her neck and ties wire to a hook on wall. She is hanging and strangling. Her shoes are a bit loose so they struggle to stay on her nylon clad feet. As she starts to lose the fight her eyes roll back, her tongue sticks out and her arms flop to the side shaking. Her shoes hang for dear life from her toes. To finish her, Mr. Sandman pulls down on her body, stretching her neck and breaking it. Her feet give a final shake as she dies dropping her shoes revealing her nylon soles. He leaves her hanging and closes the stall door. 

Another contestant goes to the bathroom too. She opens stall and sees contestant hanging. Mr. Sandman appears behind her and grabs her by neck and lifts her in the air. He squeezes her neck hard. Her eyes fluttering and tongue out, her shoes slip off from her feet. He squeezes harder and a loud crack is heard as her throat breaks. Her toes spread and then relax. He slowly lets her down and sits her corpse on the floor with her back resting against the wall. He twists her head breaking her vertebrae and her toes twitch and relax again. 

Another contestant goes to a room they have for contestants to relax. There is a bed. She enters crawiling and lets shoes fall off. She sits on the bed with her back resting on the head rest.  Her feet stretch out in front of her, she wiggles her toes in relief. The Sandman is hiding behind the head rest. He thrusts a long knife behind the headrest, it goes through the head rest and enters the back of her neck, goes through the neck with the tip exiting out of throat. She starts to choke. Her soles flexing, toes spreading, her eyes roll back. Some gurgles later she expires, her feet relaxing. He pulls knife out of neck. He starts to slice the throat slowly. She’s dead but faint gags and gurgles come out of her half way open mouth. Her dead toes twitch a little as he cuts deeper into her throat. The knife cuts through all the throat cartilage reaching the neck bone. He grabs her head and twists it hard. The head goes around 180 degrees. Her toes spread in reaction. Sound of torn flesh fills the room. He twists the head around again. Pulls her head upwards and removes her head. Her toes from the headless corpse twitch a bit more, and then relax. He puts her head right next to her headless corpse. 

Two contestants go together to the room and as they enter the room they go into shock when they see the decapitated contestant sitting on the bed. As they turn around to go warn the others, they’re confronted with Mr. Sandman who grabs them both by their throats and squeezes hard. He lifts them up a bit first so they’re standing on their tip toes. The heel of their feet slips out the back of their shoes showing half of their soles. He walks forward. They’re forced to walk backward on their tip toes toward a wall that has hooks to hang coats. He lifts them up more, slowly, as they go up the pressure on their throats increases, their eyes open wide, and faces turn red, the tongue extends out. Their feet now on the air. He twists his hand on one of the contestants breaking her neck. Her feet shake quick and relax. Her shoes fall off from her feet. The other one is almost dead from choking. Her arms flop to the side. She is gagging and gurgling. She is so weak her toes cannot hold on to the shoes anymore. Gravity takes its toll and the shoes simply drop. He thrusts both of his arms forward and impales the back of their heads against the hook. The one that was still alive dies with her eyes rolling back. The other was already dead. He leaves them hanging there. 

Another contestant goes to the resting room to check on them since it’s been a while. She enters the room and sees the three contestants dead. Before she can scream a swoosh sound is heard, accompanied by a gushing sound. Mr. Sandman who appeared behind her, had swong a machete right across her neck. A faint gag is heard from her and a shocked look on her face. Faint gags come out of her. Her stare goes blank. A red line appears around her neck. She falls kneeling position first. The back of her feet pop out of the back her shoes. As she stays kneeled her head slowly falls off and hits the floor. Her headless corpse stays kneeled for just a few more seconds and falls forward. Her shoes half way off. We can see half of her soles. As her foot twitch a bit the shoes come off completely. A few more twitches as the last vestiges of life leave her body, then relax.

The last contestant is still in the waiting room. Legs crossed and the shoe dangling from her big toe. She is waiting and wondering where is everyone. Mr. Sandman appears from behind, puts his hand on her forehead to force it back and with a long knife starts to cut her throat. She starts to gag and gurgle. Her feet move dropping her shoes. The knife goes deeper. Her movements slow to a shiver now, her toes wiggling. Again, as the knife reaches bone and meets resistance, Mr. Sandman grabs her head by the temples and twists the head around 180 degrees. A faint gag and gurgle is heard, along with the sound of gushing as he pulls the head off. Her feet twitch. Her headless body stays sitted in the sofa. 

Now Mr. Sandman recovers all the bodies. Sits them on the floor straight with their backs resting on the wall. Right next to each other. The ones that are decapitated, he puts the heads right next to them. We see the sitting corpses with legs straight so soles of their feet are looking forward to camera.

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